TEENAGE SEX AND DEATH AT CAMP MIASMA
19 September, Saturday, 19:00, Fabrika
2026 | DCP | Colour | 112’ | English; Turkish sub. | USA, Canada
DIRECTOR
Jane Schoenbrun
CAST
Hannah Einbinder, Gillian Anderson, Amanda Fix
19 September, Saturday, 19:00, Fabrika
2026 | DCP | Colour | 112’ | English; Turkish sub. | USA, Canada
DIRECTOR
Jane Schoenbrun
CAST
Hannah Einbinder, Gillian Anderson, Amanda Fix
Classification: According to Article 7 of Law No. 5224, as amended on January 18, 2019, films that have not undergone evaluation and classification can only be shown at festivals, special screenings, and similar cultural and artistic events with an 18+ age restriction.
Can the movies we love so much, that we have made our own, and that we have watched over and over again, ever become the very thing we imagine? For young director Kris, the once-popular slasher series Miasma Camp holds exactly that kind of meaning. In the franchise's first film, the surviving girl, Billy Presley, plays such a vital role in Kris’s sexual awakening that when she is offered the chance to direct a reunion film years later, she accepts immediately. Seizing this opportunity, she sets out to reach Billy, who has been a recluse, shunning society for years.
Miasma Camp approaches slasher films - a subgenre of horror cinema often considered misogynistic and conservative - from a feminist perspective, effectively reinterpreting and reclaiming the genre. It is a postmodern pop-culture fairy tale brimming with a profound love and passion for filmmaking from start to finish.
Can the movies we love so much, that we have made our own, and that we have watched over and over again, ever become the very thing we imagine? For young director Kris, the once-popular slasher series Miasma Camp holds exactly that kind of meaning. In the franchise's first film, the surviving girl, Billy Presley, plays such a vital role in Kris’s sexual awakening that when she is offered the chance to direct a reunion film years later, she accepts immediately. Seizing this opportunity, she sets out to reach Billy, who has been a recluse, shunning society for years.
Miasma Camp approaches slasher films - a subgenre of horror cinema often considered misogynistic and conservative - from a feminist perspective, effectively reinterpreting and reclaiming the genre. It is a postmodern pop-culture fairy tale brimming with a profound love and passion for filmmaking from start to finish.

