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DUMP OF UNTITLED PIECES

İSİMSİZ ESERLER MEZARLIĞI

18 September, Friday, 15:00, Vural

{BİLETİX]  |  [BİLETİNİAL]

2025 | DCP | B&W | 105’ | Turkish; English sub. | Turkey

DIRECTOR

Melik Kuru

CAST

Manolya Maya, Ekremcan Arslandağ, Tuğrul Tülek, Tülin Özen, Ceylan Özgün Özçelik

18 September, Friday, 15:00, Vural

{BİLETİX]  |  [BİLETİNİAL]

2025 | DCP | B&W | 105’ | Turkish; English sub. | Turkey

DIRECTOR

Melik Kuru

CAST

Manolya Maya, Ekremcan Arslandağ, Tuğrul Tülek, Tülin Özen, Ceylan Özgün Özçelik

Classification: According to Article 7 of Law No. 5224, as amended on January 18, 2019, films that have not undergone evaluation and classification can only be shown at festivals, special screenings, and similar cultural and artistic events with an 18+ age restriction.

Aslı and Murat are two friends who share an apartment. Through her photography, Aslı is trying to break into Istanbul’s art scene, but she has a deep sense of discomfort in this environment. Murat’s passivity and ease at home contrast starkly with Aslı, who is enterprising and full of anger. The film depicts the family-like relationship of these two friends, since they are in a way each other’s chosen family. They will attack the frames and smash the windows of institutions, but what for? Could this actually benefit the very institutions they cannot decide whether to join or not? This includes - in addition to every sort of performance - the film in which they appear. Well, at least they are having fun.


İstanbul 2026

SİYAD Best Film Award, Best Art Direction (Elif Öner), Best Original Music (Efe Demiral)

Aslı and Murat are two friends who share an apartment. Through her photography, Aslı is trying to break into Istanbul’s art scene, but she has a deep sense of discomfort in this environment. Murat’s passivity and ease at home contrast starkly with Aslı, who is enterprising and full of anger. The film depicts the family-like relationship of these two friends, since they are in a way each other’s chosen family. They will attack the frames and smash the windows of institutions, but what for? Could this actually benefit the very institutions they cannot decide whether to join or not? This includes - in addition to every sort of performance - the film in which they appear. Well, at least they are having fun.


İstanbul 2026

SİYAD Best Film Award, Best Art Direction (Elif Öner), Best Original Music (Efe Demiral)

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