WE ARE ALIENS
WAREWARE WA UCHŪJIN
17 September, Thursday, 15:00, Fabrika
2026 | DCP | Colour | 117’ | Japanese; Turkish, English sub.| Japan
DIRECTOR
Kohei Kadowaki
VOICES
Ryota Bando, Amane Okayama
17 September, Thursday, 15:00, Fabrika
2026 | DCP | Colour | 117’ | Japanese; Turkish, English sub.| Japan
DIRECTOR
Kohei Kadowaki
VOICES
Ryota Bando, Amane Okayama
Classification: According to Article 7 of Law No. 5224, as amended on January 18, 2019, films that have not undergone evaluation and classification can only be shown at festivals, special screenings, and similar cultural and artistic events with an 18+ age restriction.
Eight-year-old Tsubasa struggles with feeling ‘ordinary’, while his classmate Gyotaro is the ‘exceptional’ child whom everyone admires. Although they seem to have nothing in common at first glance, they forge a close friendship and carve out a private universe of their own, insulated from the world around them. However, a slight fracture in their daily lives alters their bond in a way that proves hard to reverse.
Blending traditional animation with the rotoscoping technique, We Are Aliens constructs a reality that feels simultaneously familiar and unsettling. With a bittersweet tone, the film explores the enduring wounds that peer bullying inflicts on a child's soul - scars that do not easily fade.
Eight-year-old Tsubasa struggles with feeling ‘ordinary’, while his classmate Gyotaro is the ‘exceptional’ child whom everyone admires. Although they seem to have nothing in common at first glance, they forge a close friendship and carve out a private universe of their own, insulated from the world around them. However, a slight fracture in their daily lives alters their bond in a way that proves hard to reverse.
Blending traditional animation with the rotoscoping technique, We Are Aliens constructs a reality that feels simultaneously familiar and unsettling. With a bittersweet tone, the film explores the enduring wounds that peer bullying inflicts on a child's soul - scars that do not easily fade.

