FATHERLAND
16 September, Wednesday, 21:00, Vural
20 September, Sunday, 19:00, Rauf Denktaş
2026 | DCP | B&W | 82’ | German, English, French, Russian; Turkish, English sub. | Poland, Germany, Italy, France
DIRECTOR
Paweł Pawlikowski
CAST
Sandra Hüller, Hanns Zischler, August Diehl
16 September, Wednesday, 21:00, Vural
20 September, Sunday, 19:00, Rauf Denktaş
2026 | DCP | B&W | 82’ | German, English, French, Russian; Turkish, English sub. | Poland, Germany, Italy, France
DIRECTOR
Paweł Pawlikowski
CAST
Sandra Hüller, Hanns Zischler, August Diehl
Sınıflandırma: 5224 sayılı kanunun 18.01.2019’da değiştirilen 7. maddesine göre, değerlendirme ve sınıflandırması yapılmamış olan sinema filmleri; festival, özel gösterim ve benzeri kültürel ve sanatsal etkinliklerde ancak 18+ yaş uygulamasıyla gösterilir.
In 1949, after sixteen years in exile, Thomas Mann and his daughter Erika return from the United States to Germany. Their journey from Frankfurt in the West to Weimar in the East is more than a homecoming to a nation fractured by war and rising from its ruins - it is also an intimate family reckoning. Everyone, including the two protagonists, carries the heavy weight of the unspoken and the ache of suppressed grief. How does someone return to a place they no longer belong to? Can they truly mourn what they have lost after already having rejected it?
With Fatherland, director Paweł Pawlikowski completes his trilogy on the aftermath of World War II in Europe. Preserving the visual aesthetic of Ida and Cold War, the film delivers a measured and controlled narrative, much like its characters who struggle to rein in their emotions.
Cannes 2026
Best Director
Following the screening of Ata Yurdu on 16 September, Fatih Özgüven will join the audience for a conversation.
In 1949, after sixteen years in exile, Thomas Mann and his daughter Erika return from the United States to Germany. Their journey from Frankfurt in the West to Weimar in the East is more than a homecoming to a nation fractured by war and rising from its ruins - it is also an intimate family reckoning. Everyone, including the two protagonists, carries the heavy weight of the unspoken and the ache of suppressed grief. How does someone return to a place they no longer belong to? Can they truly mourn what they have lost after already having rejected it?
With Fatherland, director Paweł Pawlikowski completes his trilogy on the aftermath of World War II in Europe. Preserving the visual aesthetic of Ida and Cold War, the film delivers a measured and controlled narrative, much like its characters who struggle to rein in their emotions.
Cannes 2026
Best Director
Following the screening of Ata Yurdu on 16 September, Fatih Özgüven will join the audience for a conversation.